October 2018 Spring blossoms

Blue Akeake

September and October are important months in my painting calendar because of the arrival of Spring. For the first time this year I used blossoms in my paintings – the explosion of new blooms in my local neighbourhood was irresistible. Using blossoms proved tricky due to their fragile petals and the anthers of the flowers ending up in my paintings. I endeavour to avoid having organic matter in the artworks so as not to have problems with mould in the future. Sometimes this means that plants have to be washed before use and occasionally split into their different parts before nature printing with them.

Painting blossoms in blue

Blue blossoms painting

Seasonal changes are never far from my mind when working with plants. I use photos to help me keep track of interesting plant species growing in my local area for future use in paintings.

Okahu Bay blossoms

The foliage available in September and October is an unusual mix of decayed winter leaves mixed with blooms and fresh new growth. In September I visited Bastion Point/Takaparawhā, Okahu Bay and my local streets to gather leaves and flowers.

Decay and renewal

The mix of old and new leaves/warm and cool temperatures/death and birth at this time of year makes for interesting juxtapositions. The small September picture below was painted with these themes in mind and is available via Patreon as an instant digital download.

September sketch square SML

This Spring I participated in the Envoys Onwards postcard exhibition at Te Uru Waitakere Contemporary Gallery. This exhibition marked the 125th anniversary of women gaining the right to vote in New Zealand. In 1993 the Association of Women Artists organised an exhibition of postcards to mark the 100th anniversary of women’s suffrage in New Zealand, with the aim “to strengthen the voice of women’s common concerns, to acknowledge the universality of their gender, and to generate images from the present that will touch future generations.” Info. from Te Uru website. These original postcards were included in the exhibition and it was really interesting to see them.

Envoys Onwards postcards 1

Te uru postcards cropped

The exhibition prompted a lot of thinking for me about the challenges faced by women artists and also by women working in the arts sector. I recalled a job interview many years ago for a part-time position with a curator at one of New Zealand’s major art galleries who noticed I’d done a modelling course on my CV and told me I should be a model instead. I didn’t get the job and I ignored his comment, going on to study for my Masters degree in Art History, the first person in my family to achieve a Masters qualification. There have been many such obstacles and setbacks over the course of my career and it’s good to be reminded just how much positive change for women has happened in my lifetime.

Celeste Sterling at Te Uru

August 2018 Winter solstice paintings

Winter Solstice Apple Tree

Winter Solstice Apple Tree

The painting above was made on the shortest day of the year using the last remaining leaves on the apple tree that I planted a few years ago in the backyard. In the parts of England where cider is made there is an old mid-winter tradition in the orchards called wassailing.

“The wassailing, or blessing of the fruit trees, involves drinking and singing to the health of the trees in the hope that they will provide a bountiful harvest in the autumn”. www.historic-uk.com

I wrote this old rhyme on the back of the painting:

Wassaile the trees, that they may beare
You many a Plum and many a Peare:
For more or lesse fruits they will bring,
As you do give them Wassailing.

I became interested in the old seasonal traditions that pre-date Christianity whilst living in England. Some traditions that are now common in many countries, such as the decorating of fir trees at Christmas, originated in pagan times. Evergreen fir trees, branches and logs were brought into homes at mid-winter. The custom of burning a Yule log at this time of year was also common in Europe. It’s intriguing to research the various customs involving plants and trees that I use in my paintings.

A companion to this apple tree painting is planned for Spring when blossoms and new growth will appear. The foliage below the apple leaves is a mixture of lavender, rosemary and hebe which are planted nearby in the garden.

Winter foliage cropped

My Winterberries artwork (detail pictured below) was made from some of the plants in the picture above and is available on this website as a download. Payment is by donation of US$1 for those who have the means to do so – it is your choice whether to donate or not. I also have a small herb garden picture available for download. All proceeds will go towards art materials. Your support is much appreciated!

Winterberries SML detail

I use Fabriano and Hahnemühle 100% cotton watercolour and printmaking papers and good quality artist acrylics. Hahnemühle have been making paper since 1584 – it’s beautiful paper and it works really well with the nature printing process I use. If you would like more downloads please let me know and I’ll add some more to the donate and download section.

Autumn process pic

I also make downloadable artworks available to Patreon subscribers – this month’s artwork, Fern, Moss and Corokia, has a restrained indigo and may green palette – see the detail picture below.

Fern, Moss and Corokia cropped

With the deciduous trees giving up their leaves for winter it has been the perfect time to turn my attention to a project involving native New Zealand ferns, mosses and lichens. I’ve been preparing two artworks using these types of plants to enter in art awards later this year.

Mosses are somewhat overlooked in modern gardening and are often poisoned as weeds. However, they are important in controlling soil erosion by soaking up excess water and they help break down leaf matter. They are also surprisingly tolerant of pollution. There are some beautiful moss gardens in various locations worldwide, such as at the Jardin de Berchigranges in France, and the Kōinzan Saihō-ji or Kokedera (Moss Temple) in Kyoto. I’ve been looking at the variety of mosses growing closer to home in my garden and local bush.

Kepa bush tree roots

Pohutukawa and fern detail SML

Pohutukawa and Fern (detail)

I like the idea that the plants are doing the talking in my artworks and that the act of printing directly with the foliage facilitates this. The artwork above was made with a selection of native evergreen New Zealand plants and ferns. A small branch of Pohutukawa leaves found on the ground helped me complete the upper areas of the artwork. I’ve been experimenting with using moss in my latest paintings with mixed results. Sometimes it is too fragile to get a good print from but can be used to add textural effects. In the sketch below I used silver fern, moss and native foliage including Puriri flowers.

Puriri and Fern sketch

Sunsprite Corokia

I’m seeing new growth and blossoms appearing everywhere in my neighbourhood – if plants could talk they would be talking about Spring! I’m looking forward to using some of the blossoms while they last. I’ll finish this month’s blog with a detail of a small mint green painting made recently for a fundraising exhibition at Selwyn College. I used Manuka leaves and flowers, Kowhai, Hebe and an interesting variety of yellow Corokia, all sourced from the school.

Celeste Sterling, August 2018.

Sunsprite Corokia and Hebe detail




June 2018 Winter Herbals and Samoa

Winter Herbal

Herbal Paintings

A series of artworks using herbs have been occupying me over the past couple of months, painted with the theme of healing and winter in mind. Healing can be a slow process and is often not as straightforward as we would like – complications and relapses can occur. These paintings are about the patience, self care and strength of will required to overcome injury and illness. Herbs have had a long association with healing. I used some herbs from my garden for this painting including fennel, sage, rosemary, lavender, parsley and marjoram.

Winter herbal detail

More details about this artwork can be found in the paintings for sale section of this website.


Autumn herbal small

The Autumn Herbal painting (pictured above) is available as a digital download via my Patreon page. Patreon is a subscription service where artists can offer rewards in return for a monthly or per artwork subscription. Subscriptions start from US$1 per month. It was originally launched by a musician looking for a way to earn income from his work. Currently I offer one artwork per month as a digital download for subscribers. For some time I have been investigating ways to make an income from my artwork that will allow it to be accessible to as many people as possible. This, I believe, is one of the strengths of the digital age.

Herb garden

The small herbal garden picture above is also available on this website as a download, payment is by donation of US$1.

White hibiscus flower

Tropical Plants – Samoa

Over the past couple of months I have also been doing a series of works inspired by a trip to Samoa in early May. Whilst in Samoa I visited the Vailima Botanic gardens at the Robert Louis Stevenson Museum in Apia to collect some foliage for paintings. The tropical plant species were absolutely fascinating and I hope to return in the future to Samoa to continue this series.

Garden at Vailima artwork

Garden at Vailima

RLS garden


Vailima artwork detail2

Vailima artwork detail

Samoan leaves

RLS Museum door

Robert Louis Stevenson Museum, Vailima.

RLS Museum wall

In May I visited the Auckland Art Fair and was it was interesting to see the diverse range of artwork displayed. Photographs by Tamara Dean, small artworks by Shelley Norton, Simon Denny’s board games and abstract paintings by Amanda Grunewald all struck a chord with me.

Shelley Norton

Next month I will take a short break during the school holidays and then continue work on two art award entries for later in the year.

I’d like to wish you all the best for Matariki, which is the Māori New Year celebrated in the middle of winter and marked by the rising of the Pleiades or Seven Sisters star cluster.

Tōfā soifua

Celeste Sterling, June 2018




April 2018 Printmaking

Silver birch and sage for blog

Silver birch and Sage was made on a windy March day with plants from my garden. I also used fern, akeake and fennel in this image. I wanted to capture the movement of wind through the leaves which resulted in a looser technique. My latest work has included some softer, pale pieces such as this small painting on paper and some hand painted linocuts. I’ve made Silver Birch and Sage available to Patreon subscribers as this month’s downloadable artwork.

Celeste painting7SML

Celeste painting4SML

Filming and voice recording for my first artist video progressed over summer. Pictured above are a couple video stills. I felt out of my usual comfort zone doing this as I normally paint unobserved. I’m really looking forward to seeing it finished.

Small hand painted linocuts have also been a focus over the past two months as I have been experimenting with printmaking techniques that don’t involve using a printmaking press. I’m hoping to acquire a small press for my studio further down the track to expand my printmaking further.

Small handcoloured linocut

Some beautiful weather in March meant it was the perfect time to explore further afield than my own neighbourhood. Highlights included a visit to Albert Park which has a fantastic collection of trees, a stop at my old favourite the Wintergarden in the Auckland Domain, and a visit to the Gibbs Farm on the Kaipara Harbour.


Coleus in the Wintergarden

Albert Park coleus

Albert Park leaves


Horizons sculpture by Neil Dawson at the Gibbs Farm, Kaipara.

Stormy weather has returned to Auckland and many parts of New Zealand this week. A large number of trees have been toppled or damaged by high winds. Suddenly there is surfeit of leaves in my studio.

Ferns in blue postcard

My Huruwhenua (fern) postcard (pictured above) for the Twitter Art Exhibit is available for purchase online, along with numerous other art postcards from this charity exhibition. All proceeds benefit Pegasus Riding for the Disabled in ACT.

For Corokia Studio I have been making small artworks which are available from Felt. I’ve also added some paintings on paper for sale to the Corokia Studio shop section of this website.

FELT Blue painting1

Next month I will have the opportunity to do some work with some really interesting plants from further afield than New Zealand. I’m looking forward to seeing how a change of scene influences my artwork.

Celeste Sterling, April 2018

Celeste drawing in bush2SML

Easter 2018 artwork


February 2018 Symbolism and Plants

Untended Garden in Yellow SML

Plants and flowers depicted in paintings throughout history have been used to help tell a story. They can symbolise virtues, emotions or have other meanings that help the viewer understand the painting’s subject. Pictured above is Untended Garden in Yellow, a follow up on my earlier work from last year about biodiversity, made with weeds and grasses.

“Beyond their decorative properties, plants and flowers usually had a symbolic meaning or association that related to the subject of the painting. Thus, a plant could be depicted either as an attribute, giving clues to the identity of the subject or sitter… or as providing a moral or philosophical annotation on the subject.”

from Botanical Imagery in European Painting, by Jennifer Meagher, The Metropolitan Museum of Art


In contemporary art this practice continues – for example, in Kehinde Wiley’s recent portrait of Barack Obama, the flowers relate to the former US president’s personal history. Kehinde’s paintings often reference the European historical painting tradition but he recasts contemporary African Americans as the main protaganists. It is interesting the way the plants surround and interact with the people in Kehinde’s paintings.

Untended garden in yellow2

I am mindful of the tradition of using plants and flowers to enhance understanding of subject matter when I am painting. I see the nature-printing technique that I use as a collaboration between myself and the materials – the plants, seedheads and petals that go into making an artwork. My paintings are a record of a particular season and the variety of plant species found in an area. But other aspects of the artwork are about emotions, thoughts, ecology and other meanings. I use colour to convey emotions or as an indicator of seasonal shifts. The type of foliage chosen also has significance.

Kowhai and Corokia small

The painting pictured above was made in January using Corokia, Kowhai and Carmichaelia Lilac Bouquet leaves from my garden. My young Carmichaelia plant is in a shady spot and has yet to produce flowers – I’m hoping it will bloom next spring. I intended the cool, calm greens and blues of this painting to be soothing and reassuring and for foliage to embrace the viewer from above and below.

Lichen and Kauri in the studio

This year I am planning a series of work using Kauri. In the Auckland region this ancient tree species is under threat from disease. The council and local iwi have decided to close a large area of the Waitākere Ranges Regional Park to try and stop the spread of the disease among existing Kauri trees. It will interesting to research this topic and to work with Kauri.

Ferns in blue postcard

I am participating in the Twitter Art Exhibit, an annual exhibition for charity that has been running since 2008. It is in Canberra this year and benefits the Pegasus Riding for the Disabled charity. My postcard for the exhibition is entitled Huruwhenua (Fern) and is pictured above.

I also did another small postcard on Waitangi Day (pictured below) which I’ll put on the Corokia Studio shop. Thanks to those who have purchased my art and Corokia Studio printables over the summer, it all helps me continue to buy materials and make art.

Waitangi day postcard


December 2017 Printmaking with plants

Monotype by Celeste Sterling SML

The monotype pictured above was made with leaves collected from my garden – Kowhai, Akeake and Ferns. Foliage is placed on an inked surface and run through a press multiple times to build up colour layers and plant forms. I also used the “ghost” image of the foliage to print from – the impression left on the inked surface after the foliage is removed. I found this technique relates well to the nature printing I have been exploring in my art practice.

A digital download of the Fern, Ake ake and Kowhai artwork is available on my Patreon page for subscribers. On Patreon you can sign up to receive a digital artwork each month from me for as little as US$1 per creation. Artwork prints make excellent Christmas gifts and you can print more than one copy.

Akeake and fern monotype cropped

I’m looking forward to utilising the traditional printmaking techniques I have learned with Toni Mosely at Te Tuhi over the past year to extend my art practice. The small Manuka and Karo linocut below was included in the Te Tuhi student exhibition.

Planning and research for art projects in 2018 and a repaint of my studio will keep me busy over summer. An artwork using mosses, lichens and ferns is the focus of one of these projects. New Zealand has many species of native ferns and it is an interesting area to research.


This Christmas I’m offering leafy greeting cards on the Corokia Studio Etsy shop available as an instant digital download. Sheets of matching gift tags are also available. Any purchases help me to continue making art.

Kowhai BW Kowhai Xmas angle

I’d like to wish everyone a safe and enjoyable Christmas. If you would like to see my latest artwork I’ll be posting on Instagram and my Facebook artist page over the holiday break.

Pohutukawa leaf

Meri Kirihimete

Celeste Sterling, 2017

Summer Garden


September 2017 Biodiversity

Untended garden detail2

Biodiversity is the theme of my latest painting which features grasses and weeds from an untended part of my own garden. This artwork has been planned for some time but I had to wait until spring here in New Zealand for the best results. There is an incredible amount of flora in the small area of my garden that used to be lawn. A TED talk by Michael Pollan was part of the inspiration for this work. Grasses are one of the most successful species on our planet and it is interesting to consider how much time, effort and money is spent on growing edible grasses and lawn.

Untended Garden detail

I also started looking at weeds differently after reading The Naturescaping Workbook by Beth O’Donnell Young. Weeds are the first species to colonise disturbed land and although undoubtably problematic, they are nevertheless an important part of the way nature restores lost habitat.

I’m preparing this artwork (details pictured above) for the National Painting and Printmaking Award which is organised by the Waikato Society of Arts. The judge this year is an Australian artist and master printmaker, Dianne Fogwell.

Kaka beak

Loss of genetic biodiversity is a problem affecting many species. On a recent trip to the South Island I spotted these flowers – Kākābeak/ngutu kākā, which are critically endangered in New Zealand. Although there are many cultivated in gardens, there are few left in the wild. Some species of Kōwhai are also under threat. I am fortunate to have one in my garden and have been using it in my recent artworks.


Kowhai and palette

For fans of Kōwhai – I have some black and white printable postcards and greeting cards on the Corokia Studio Etsy shop that feature Kōwhai foliage and blooms. These are inexpensive and can be printed at home or at a print shop.

Kowhai BW postcard angle

Spring paintings will be my main focus over the next two months. After a very wet winter it is fantastic to see blossoms everywhere and plants awakening from winter dormancy. Over winter I have continued to experiment with linocuts and am preparing to tackle a larger linocut with the theme of biodiversity in mind. The encouragement and generosity of other printmakers has been really helpful over the past weeks.

Manuka Linocut






June 2017 Estuary Art Awards

Karo in Yellow detail

Pictured above is a detail of Karo in Yellow, my painting made exclusively for Patreon subscribers this month. It was made using Karo, Muehlenbeckia, Griselinia, Fern, Kowhai and the leather leaf fern which grows on the trunk of Pohutukawa trees. (see pic below) The leaves used in this work are from the banks of the Tamaki Estuary and my own garden. Karo is a small tree with tough, rounded leaves that are soft and furry on the underside which makes them perfect for leaf printing. The black seeds of Karo are an important food source for native birds such as Tui in late winter. It is just past midwinter here in New Zealand, when sunlight and time outside can be scarce. Perhaps that is why I felt a burst of warm yellow and orange tones was needed to give one a boost during these cold winter days.


I have been continuing experiments in printmaking using lino and whilst I think I’m still a way off making a finished edition, I’ve been enjoying the process of learning and exploring new techniques. Pictured are some prints in progress on silk paper and Fabriano Rosaspina paper. The craft of printmaking is really fascinating, it encourages one to slow down and really think through carefully each stage of the process. Accidents are, however, surprisingly useful and I’m trying to stay open to experimentation whilst learning more about the rich tradition of printmaking.

Printmaking experiments

It was a pleasure to see my painting Mānawa (Mangroves) included among some really interesting artworks at the Estuary Art Awards Exhibition this month at Malcolm Smith Gallery. The exhibition is on until 15 July 2017. I recommend a visit to the excellent cafe at Uxbridge as well if you are heading out to Howick to see the show.

Mānawa artwork 2

Estuary Art Awards Exhibition 2017

Estuary Art Awards

Mānawa (Mangroves) was made using foliage from the Tamaki Estuary area including fallen Mangrove leaves, Samphire and reeds.



More recently I discovered some dwarf Pohutukawa blooming nearby (in winter!) and so made this small A4 size painting (below) using some of the blooms and other native New Zealand plants. I’ve been slowly adding to my Pohutukawa paintings over time. I read recently that fossilised Pohutukawa has been discovered in Tasmania, a relic from the Gondwana era as it is no longer found in Australia. I’m planning some more Pohutukawa paintings in summer to develop this theme further.

Pohutukawa in winter

Pohutukawa picture in progress





May 2017 Leaves & Lamington National Park

Autumn leaves

The fiery tones of autumn are still with us here in New Zealand and inspired this vibrant yellow and orange artwork using leaves from my neighbourhood.

“Leaves are a true miracle of nature. They perform a job a science still only dreams of fully understanding: they transform dissolved minerals and other elements into the organic matter that eventually forms the shoots, leaves, roots, flowers, and fruits that create the Earth’s rich layer of hummus and soil, and build its wondrous forests and habitats.” from the The Book of Leaves, by Allen J. Combes.

In this blog I’m going to write about sources of support for artists and some of the training and research that is influencing my artwork.

Patreon screenshot

I have started a Patreon page (pictured above) to help me continue making art. Patreon is a website that connects artists with patrons who contribute a set amount each month or towards each artwork, starting at US$1. I’ve committed to one artwork per month, available as a high quality printable digital download to reward my patrons. Patrons can set a maximum amount they pay each month so that they never pay more than they are comfortable with. Patrons get access to exclusive “behind the scenes” content via the patron-only newsfeed and other rewards.

My first artwork created for the Patreon community is a calm and reflective green and blue picture entitled Kowhai (detail below). I’m not aware of any other New Zealand fine artists using Patreon yet, although there are people making videos for YouTube and cartoons based here in New Zealand. It will be interesting to see whether it is useful as a source of ongoing community and support for my art. I’m planning to film a video for my Patreon page later this year.


One of the ways artists have traditionally supported themselves is through art awards. I’m really pleased that Mānawa (pictured below), my entry for the Estuary Art and Ecology prize 2017, has been accepted into the exhibition. The award ceremony is at Malcolm Smith Gallery, 2pm Saturday 10 June. The exhibition runs from 12 June to 15 July 2017. I’m looking forward to seeing the different approaches artists have taken with the theme of Tamaki Estuary.

Mānawa by Celeste Sterling

To develop my artwork I have been doing a course in traditional printmaking with Toni Mosely at Te Tuhi in Pakuranga, Auckland. I’m really enjoying the opportunity to expand my knowledge in this area and it opens up all sorts of possibilities for integrating traditional techniques with my leaf prints. My first relatively simple linocut (pictured below) will no doubt be the beginning of a new direction in my artwork over the coming months.

NZ Flora linocut

For research I’ve been doing some reading about leaves and trees. Germaine Greer’s White Beech, about her project to restore and rewild a block of Queensland rainforest brought back memories of a visit some years ago to nearby Binna Burra in Lamington National Park, Queensland, where I was fortunate to hear lyrebirds calling and to see some of the ancient Antarctic Beech trees on guided bush walks.

Lamington National Park

Binna Burra sunset

The whole Gondwana rainforest area of Queensland has an incredible mix of biodiversity. Lamington National Park was a highlight of my time in Australia and I hope I will have the opportunity to visit the area again. Sadly many of the visitors to the nearby Gold Coast have no idea that it exists.

Queensland bush

I’m currently reading The Hidden Life of Trees by Peter Wohlleben, which is about how trees communicate in a forest environment, and Allen J. Coombes Book of Leaves, to help me identify some of the leaves I am using.

Autumn Leaves2

If you are interested in seeing what other work I’ve been doing please have a look at my Corokia Studio website. I’ve got some new artwork which I will be adding to the Corokia Studio Etsy store over the next few weeks.

Kowhai photographed