August 2019 Memory Garden

Memory Garden2

Bush Dell, Howick

It has been over two years since I first chanced upon the beautiful bush dell in the Emilia Maude Nixon Garden of Memories in Howick, next to Uxbridge Arts & Culture. I was delighted to find mature native New Zealand trees and I met the current custodian Taini, who tends this garden. I was considering making an artwork using leaves from the bush area when I learnt of the surprisingly troubled history of the gardens. 

This winter I visited these gardens again and on a quiet day I found a few leaves in the bush and finally made the artwork I had thought about for so long. All the leaves are from endemic New Zealand species (including kahikatea, rimu and makomako), except for some gingko which had fallen from a tree in a neighbouring property and were scattered on the ground in front of the marae. Fortunately trees and plants pay no heed to human boundaries and disputes, they simply grow wherever the right combinations of seed, sunlight and soil are found. I’m often reminded in situations like this that art shouldn’t be rushed and sometimes ideas take a long time to bring to fruition, much like the seeds that lie dormant until the right conditions are present. 

It is up to all of us to nurture and protect areas of native bush and gardens such as these. They are special places that offer solace and respite from increasing urbanisation. In the face of climate change and environment destruction our role as custodians and guardians of the natural environment is more urgent and important than ever. 

(Please note: In my artwork I do not use foliage from any places where people spread or bury ashes. Apparently there are parts of the Emilia Maude Nixon gardens that are sometimes used for this. I avoided those areas, using a few leaves from some of the larger trees in the bush dell behind the memory garden and gingko from a neighbouring tree.) 

Memory Garden fir

Memory Grden detail

Bush Dell, Howick (detail)

Through winter I have also been making artworks using foliage from the Auckland Domain. The gingko and puriri painting below was made after a visit to the fabulous large gingko tree in the Auckland Domain as the last golden leaves fell. Gingko are a fascinating tree species of ancient lineage and the leaves are unusual and make beautiful nature prints.


Gingko and Puriri (detail)


Puriri tree and flowers (above)

Gingko tree

Gingko tree, Auckland Domain (above)

This winter I have reopened the Corokia Studio Felt shop with fine art prints available including the Lilac Garden artwork (detail below). Made with scented plants from the Sensory Garden in Auckland Domain, this artwork is devoted to the soothing and calming properties of fragrant plants and flowers.

Lilac Garden for FELT5

Scented plants also feature in my most recent painting entitled Fragrant Garden, nature printed with small and delicate plants including heather, white camellias, cotton lavender, geranium and small pink flowers from the Sensory Garden. Spring seems to be arriving in the plant world early here in New Zealand and that has had a big impact on my painting this month.

Fragrant Garden for FB


Spring for FELT5

Also available in the Corokia Felt shop is the Spring print (detail above) made with foliage from Orakei and the Blue Fern print (below).

Blue Fern for FELT3

Currently I have two original paintings for sale at Uxbridge in Howick, both made with native coastal plants. Please enquire to the staff at Malcolm Smith Gallery/Uxbridge Arts and Culture in Howick if you are interested in viewing these artworks.

Mangroves, Samphire and Reeds


330mm high x 480mm wide, acrylic on William Turner watercolour paper, unframed. $600

Manawa, Wiwi and Ureure

Mānawa, Wīwī and Ureure
(Mangroves, Knobbly Club Rush and Samphire)

Acrylic on stretched canvas, 705mm wide x 1000mm high, $1600.

In this large painting I used three of the native plant species which are found around the Tāmaki River. These plants thrive in the marshy, salty estuarine conditions and can help preserve and revegetate wetland areas. 

I was very excited to see my artwork recently on BioCups by BioPak in Australia. I was really pleased with how they turned out and I’m grateful for the opportunity to collaborate with a company that has a strong environmental focus. These Biocups made from plants, compostable and carbon neutral. If you see one at your local cafe in Australia or New Zealand please snap a photo and tag it #biocupartseries and on Instagram @celestesterling

Thanks so much!

Celeste Sterling, August 2019

Winter Herbal BioPak cup

June 2019 Camellias and Winter Paintings

Kale and Jade

Thinking and reflecting on biodiversity, rewilding, reforestation and the interactions between native and introduced plant species have prompted many of the plant combinations used in my recent artworks.

Over winter the shorter daylight hours and colder weather mean that I source foliage closer to home, often from my backyard and the very steep, overgrown gully behind the back fence. Our bush gully is a jungle of native species, weeds and forgotten garden plants from many years ago. A marvellous old pink camellia tree tangled with runaway jasmine provides food and shelter for many birds in these months. This winter I have been experimenting with some nature printing using camellias and including weeds and other garden escapees in the artworks.

We have planted some native trees and harakeke (New Zealand flax) in the gully over the past few years. In a city experiencing rapidly increasing urbanisation where sometimes it can feel as though developers are closing in on all sides, this small slice of sloping land is for now a haven for wildlife and city children in the warmer months.

Backyard jungle

Pink camellias detail

Two Pink Camellias

Camellias, also known as the rose of winter, offer some welcome colour at this time of year and are very popular in New Zealand gardens. I used some of the candy cane variety, hebe and a weedy vine called Great Bindweed in the picture (detail) below.

Red camellias


In May I finished up my artworks made with coastal plants from Tamaki Estuary. It was interesting to revisit some localities around the river and to see how the ecosystem is faring a couple of years after my first research and artwork in this area. Despite challenges in the form of pollution and erosion there is an abundance life in and around the estuary and I was reminded of this many times when I visited – seeing fish jumping, birds foraging, insects everywhere and the resilient endemic plant species in protected areas surviving, and in some cases thriving.

Wiwi in May

Detail 1

Mānawa, Wīwī and Ureure (Mangroves, Knobbly Club Rush and Samphire) – Detail

Leaving Tahuna Torea one day I collected some leaves from introduced and native species near the nature reserve and made an A3 size picture from them. (detail below) Often there is an element of chance in my artwork, as sometimes I will discover some new plant species to use for nature printing depending on where I walk and what I find on the way.  This part of the creative process can be really useful, it helps to keep me inspired and discourages perfectionism. Perfectionism can paralyse creativity and when working closely with nature one has to be open to chaos, complexity, abundance and wildness.

Autumn - Glendowie

In autumn I made another small painting on paper using foliage from the Savage Memorial and Bastion Point/Takaparawhau. I have been following with interest the replanting and growth of the forest planted there by Ngāti Whātua. Replanting of native species is also planned for areas of the Purewa valley from the Kepa bush area down to the Orakei Basin.

Takaparawhā detail

A local area that I visit often is St Heliers, where there are two massive old Moreton Bay Fig trees. I made a painting recently using leaves from these and some found in the hedge nearby. The artwork is a mix of Moreton Bay Fig, brambles, asparagus fern and other foliage. The fig leaf colouring is really beautiful, a mix of dark olive green and shades of copper and bronze underneath.

Moreton Bay fig details

Winter leaves angle

I was fortunate to visit the Auckland Art Fair, the Gus Fisher Gallery and the Francis Hodgkins European Journeys exhibition at the Auckland Art Gallery over the past two months. There were plenty of interesting plant details in the artworks at the Auckland Art Fair and in the Frances Hodgkins exhibition, some of these I have shared in my Instagram stories.

The Frances Hodgkins exhibition has prompted some thinking about colour and form for me which I will continue explore in my work over winter and beyond.

Bindweed closeup

Camellias progress

Winter viruses have hit hard this year and I’ve had a couple of rounds already so I’ve had some time whilst recovering to catch up on some of my favourite websites. If you are interested in all things botanical then I recommend the The Planthunter. To catch up on general international art world news I read The Art Newspaper, which also offers some podcasts. For pure joy it is always fascinating to see what is blooming on the other side of the world – you can see Piet Oudulf’s gardens through the seasons on Instagram, and I also like the small scale indoor garden world of James Wong, The Botany Geek.  When painting inspiration is needed there are wonderful images online from the collection of The Van Gogh Museum.

Rewilding has been controversial overseas as it can involve the reintroduction of larger predators into environments. To find out more about rewilding here are a couple of links: rewilding in Britain and in New Zealand.

Kia pai tō tatou Matariki – Happy Matariki (Maori New Year) from New Zealand.

Purple pic angle




April 2019 Autumn Paintings

Autumn gatherings

Autumn is here and the leaves of deciduous trees are showing us their red, yellow and golden tones as the chlorophyll in them breaks down and they begin to fall. Gardens are full of seeds, rosehips and other fruits. While the weather has continued to be favourable I’ve been visiting parks, gardens and nature reserves to research and develop artworks.

This small artwork (detail below) was made in late March, using faded hydrangeas from my garden and wilting pale green roses left over from St Patrick’s Day.

Hydrangea and rose detail LR


This autumn has been a tumultuous and sad time for New Zealand in the aftermath of the Christchurch terror attacks of March 15th. On that day I took a walk on Bastion Point to see the regenerating forest that Ngāti Whātua Ōrākei have been replanting. I made a small picture using some foliage from the memorial and replanted forest, a mix of New Zealand species with rosemary and lavender. I was thinking about the climate change strikes that school students around the world were involved in when I made this picture.

Bastion Pt detail

Bastion pt berries

This month the government has announced the creation of Te Ora Auaha: Creative Wellbeing Alliance Aotearoa, a national arts and health network. It feels like a timely and positive step given recent events.

Sensory garden flowers

I visited the Sensory Garden in Auckland Domain on March 13th and made two artworks using a few sprigs of the fragrant plants that I found there. When my son was a baby I would walk him around this small and soothing garden, a oasis of calm and quiet amid the noise of Newmarket. Being outside in nature and making art can offer some solace and peace in times of sorrow, illness and other difficulties.

Creative New Zealand has been asking artists to tag photos of artworks made in response to the Christchurch terror attacks with the hashtag #CreateAroha. Stephen Wainright, their Chief Executive/Pou Whakahaere writes: “I see each creative expression as a thread denoting dignity and mana, woven into a digital korowai to nourish and protect us, and demonstrate our unity, in solidarity against hatred.”

Sensory Garden (pictured below) is my contribution to this project.

Sensory Garden MR

The Sensory Garden in Lilac artwork (detail below) is available as a digital download via my Patreon page.

Sensory Garden in Lilac detail

An artwork for the annual Estuary Art Awards has been a focus for me over the past couple of months. I have made numerous visits to both sides of the Tāmaki Estuary to research this, photographing the coastal plants and collecting materials for nature printing. It has been interesting to compare foliage from the different parts of the Estuary that I’ve visited, and to learn more about the ecosystems in and around the Tāmaki Estuary. On a clear and calm day I walked to the end of the Tahuna Torea sandspit and dipped my feet in the water, watching the incoming tide and the river merging. Despite problems with pollution the Tāmaki Estuary is full of life and where it is protected the coastal foliage is varied and abundant.

Clear water

Estuary artwork 12 March

Mangrove flowers Mangrove flowers, Pakuranga

Mangrove prints2

Tahuna Torea plants

Samphire and Reeds, Tahuna Torea

Tahuna Torea artwork


Wiwi, Tahuna Torea

I’ve continued photographing tropical plants and painting some artworks in brighter tones over autumn. This is a ongoing project as the colours and forms of tropical plants are a constant source of wonder and inspiration for me.

Sweet pea cropped

Pink and Orange hibiscus

Hibiscus, Kohimarama

Mandevilla LR

Orange flower2

Eden Gardens, Auckland

Blue tones found their way into my artworks again over the past month. This artwork (detail below) using Fern, Wisteria and Spearmint was made in response to the recent death of a talented man who made a strong impression on all who knew him. Words fail me sometimes and I have only the artwork and photography to somehow express a little of the thoughts and emotions of the past two months.

Fern, Spearmint and Wisteria detail

Dark Petunias for Ant

Petunias at the Wintergarden, Auckland Domain

I was fortunate to photograph plants and flowers at the Quarry Gardens again over Easter and I’ll share some more of these on my Instagram @celestesterling. I find photographing plants and flowers an enjoyable and fulfilling part of the creative process. I’m looking forward to some studio time in term 2 to finish the Estuary artworks and a visit to the Auckland Art Fair next week.

Celeste Sterling, Autumn 2019

Blue flower

Ceratostigma flowers, Quarry Gardens Whangarei

Silk Floss tree

Silk Floss tree, Quarry Gardens Whangarei



February 2019 Summer Postcards

Summer gatherings

I love the fierce dry heat of late summer which dries my paints in seconds and ripens the feijoas, grapes and cherry guavas growing in the garden. Drought tolerant plants thrive in this environment, flowering and producing seeds. But the heat causes trouble too, fire and destruction comes with it. I still remember vividly the Victorian Ash Wednesday fires of my childhood. Fire has come to New Zealand this year, threatening homes and bush in the Nelson region. Some plants in our garden did not survive this summer, succumbing to the heat. To compensate we planted our native Mountain Jade Christmas tree and a climbing Mandevilla (also known as a Rocktrumpet) with deep red flowers, a variety bred to cope with dry conditions.

Over the New Zealand summer I painted a series of postcard sized pictures, one of which I will send off shortly to be part of the annual Twitter Art Exhibit, an exhibition for charity held in a different country every year. These small postcard pictures give me a chance to experiment with new plants and colours in preparation for larger artworks.

Red Postcard detail

Throughout the summer I also photographed interesting plants and flowers to use as a reference and inspiration when planning my art projects for the future. I was particularly intrigued by the tropical and arid garden plants at the Whangarei Quarry Gardens, which I visited in late January. These beautiful community gardens are maintained primarily by volunteers and have a wide selection of heat loving plants and trees.


Yellow postcard detail


High on my wish list for the future is an artwork incorporating some of the tropical plants at the Quarry gardens, in particular leaves and flowers from the magnificent Tiger flower, found in Mexico Guatemala, El Salvador, and Honduras (pictured below). A large Bodhi tree growing by the lake also captured my attention. A sacred fig with beautiful heart shaped leaves,  it is a tree rich with meaning and significance within the Buddhist tradition.

Tiger Flower2


Bodhi Tree leaf

Postcards closeup

I also drew upon my own garden for foliage and inspiration over summer, completing a soft green painting on the Summer Solstice using leaves from the apple tree and other garden finds. The lush backyard grapevine and a profusion of fennel and nasturtiums provided material for another small painting.

Summer Solstice


Nasturtium grapevine

Nasturtium flower and grapevine cropped

The Nasturtium and Grapevine painting (above) is available as a digital download from Patreon, payment by subscription starting at US$1 per month. Please note – this artwork is for personal use only, not for commercial use. ©2019 Celeste Sterling

Blue tones found in nature were the inspiration for a small work on paper using Wisteria and New Zealand broom. I’m continuing to explore this theme in small postcards with a view towards completing a larger work in strong blue tones.

Blue Wisteria detail

I’m excited about my art projects this year and I’m looking forward to sharing the new paintings with you. If you’d like to see more updates on artwork between blogs then you can follow me on Instagram @celestesterling and if you are interested in a painting for your home or workplace please visit the Paintings for Sale section on this website.

Love in a mist


Marjoram and Wisteria postcard

Postcard closeup LoRes



December 2018 Remembrance


Remembrance and mortality are the themes seeping into my photography and artwork over the past weeks. I have been using flower symbolism to express this and coinciding with spring it has seemed apt to use the seasonal blooms. The amaryllis is traditionally a symbol of mourning (white blooms), love (red blooms) and is associated with confident, beautiful women. This amaryllis bloom was photographed at the Auckland Domain Wintergarden, a few days before my aunt passed away from cancer. My aunt was a strong, talented woman who will be missed by all her family.

Striped tulip

There is a contrast between my flower photography and the recent paintings and sketches that I have been making which are much fresher and lighter in colour and tone. This intersection, between death and the passing of winter, contrasting with the new plant life and blooms of spring is something I intend to explore further.

Recently I had surgery and the experience and subsequent convalescence has also influenced my artwork. As I lay waiting on the operating table I noticed the large wall of glass fronted medicine cabinets in the room and they reminded me of the Damien Hirst retrospective that I visited in London at the Tate Modern. There was a gallery of Hirst medicine cabinets in that retrospective exhibition, some with steel surgical instruments and others with medicines. I recall that the pervading theme of death throughout the Hirst artworks was powerful, at times banal and often unpleasant. Sometimes art is like a conversation that you start and revisit over time, the memories of artworks encountered returning as new situations arise. I wrote about the show after returning to New Zealand in my old Arcadia Files blog.

In November, a trip to the field of crosses erected in front of the Auckland Museum (commemorating the 100th anniversary of Armistice Day and the New Zealanders killed in WWI) and the Wintergarden also had me considering how to convey the themes of remembrance and respect in the language of plants.

Armistice memorial

One is always aware when nature printing of how quickly plucked leaves die, and how the cycle of nature turns decay into new life. Although my artworks are not figurative, people are always present in the artworks. They are there in the gardens they plant, the species they use for food and medicines, the flowers they favour, and the endangered plant species and habitats affected by people. I hand print with the leaves and flowers, pressing them onto the paper or canvas, and so the pattern of my fingers is often visible.

Memory detail

I have put a new A4 size artwork on my website in the download and donate section. It is entitled Memory, and was made with budding sage, fennel, michelia and akeake. The akeake was bought from a nursery in Whanganui on a visit with my aunt. It has now grown to a small tree in my garden.


Purple wreath is a flower I have not used before in paintings but this year I made a couple of sketches using the blooms and leaves with some rosemary sprigs, a plant traditionally associated with remembrance. Purple wreath was blooming on Armistice Day in the Wintergarden. I will have to wait until next spring to use this plant again in a larger artwork.

Purple Wreath

Purple wreath and rosemary cropped

I have started a series of paintings using my backyard apple tree, beginning with the Winter Solstice artwork. This spring I used fresh apple leaves and blooms to create a painting on William Turner watercolour paper – Apple Tree and Lime. Pictured below is a small detail from this painting. The lime leaves were a happy accident – I broke a small branch whilst weeding and used the fragrant leaves in the artwork. I’m planning another apple tree artwork at midsummer.

Apple tree and lime

I’m looking forward to doing more paintings over summer and I’ll write another blog in February. Wishing you all a safe and happy Christmas, with love from New Zealand.

Celeste Sterling, December 2018.

Christmas blooms

October 2018 Spring blossoms

Blue Akeake

September and October are important months in my painting calendar because of the arrival of Spring. For the first time this year I used blossoms in my paintings – the explosion of new blooms in my local neighbourhood was irresistible. Using blossoms proved tricky due to their fragile petals and the anthers of the flowers ending up in my paintings. I endeavour to avoid having organic matter in the artworks so as not to have problems with mould in the future. Sometimes this means that plants have to be washed before use and occasionally split into their different parts before nature printing with them.

Painting blossoms in blue

Blue blossoms painting

Seasonal changes are never far from my mind when working with plants. I use photos to help me keep track of interesting plant species growing in my local area for future use in paintings.

Okahu Bay blossoms

The foliage available in September and October is an unusual mix of decayed winter leaves mixed with blooms and fresh new growth. In September I visited Bastion Point/Takaparawhā, Okahu Bay and my local streets to gather leaves and flowers.

Decay and renewal

The mix of old and new leaves/warm and cool temperatures/death and birth at this time of year makes for interesting juxtapositions. The small September picture below was painted with these themes in mind and is available via Patreon as an instant digital download.

September sketch square SML

This Spring I participated in the Envoys Onwards postcard exhibition at Te Uru Waitakere Contemporary Gallery. This exhibition marked the 125th anniversary of women gaining the right to vote in New Zealand. In 1993 the Association of Women Artists organised an exhibition of postcards to mark the 100th anniversary of women’s suffrage in New Zealand, with the aim “to strengthen the voice of women’s common concerns, to acknowledge the universality of their gender, and to generate images from the present that will touch future generations.” Info. from Te Uru website. These original postcards were included in the exhibition and it was really interesting to see them.

Envoys Onwards postcards 1

Te uru postcards cropped

The exhibition prompted a lot of thinking for me about the challenges faced by women artists and also by women working in the arts sector. I recalled a job interview many years ago for a part-time position with a curator at one of New Zealand’s major art galleries who noticed I’d done a modelling course on my CV and told me I should be a model instead. I didn’t get the job and I ignored his comment, going on to study for my Masters degree in Art History, the first person in my family to achieve a Masters qualification. There have been many such obstacles and setbacks over the course of my career and it’s good to be reminded just how much positive change for women has happened in my lifetime.

Celeste Sterling at Te Uru

August 2018 Winter solstice paintings

Winter Solstice Apple Tree

Winter Solstice Apple Tree

The painting above was made on the shortest day of the year using the last remaining leaves on the apple tree that I planted a few years ago in the backyard. In the parts of England where cider is made there is an old mid-winter tradition in the orchards called wassailing.

“The wassailing, or blessing of the fruit trees, involves drinking and singing to the health of the trees in the hope that they will provide a bountiful harvest in the autumn”.

I wrote this old rhyme on the back of the painting:

Wassaile the trees, that they may beare
You many a Plum and many a Peare:
For more or lesse fruits they will bring,
As you do give them Wassailing.

I became interested in the old seasonal traditions that pre-date Christianity whilst living in England. Some traditions that are now common in many countries, such as the decorating of fir trees at Christmas, originated in pagan times. Evergreen fir trees, branches and logs were brought into homes at mid-winter. The custom of burning a Yule log at this time of year was also common in Europe. It’s intriguing to research the various customs involving plants and trees that I use in my paintings.

A companion to this apple tree painting is planned for Spring when blossoms and new growth will appear. The foliage below the apple leaves is a mixture of lavender, rosemary and hebe which are planted nearby in the garden.

Winter foliage cropped

My Winterberries artwork (detail pictured below) was made from some of the plants in the picture above and is available on this website as a download. Payment is by donation of US$1 for those who have the means to do so – it is your choice whether to donate or not. I also have a small herb garden picture available for download. All proceeds will go towards art materials. Your support is much appreciated!

Winterberries SML detail

I use Fabriano and Hahnemühle 100% cotton watercolour and printmaking papers and good quality artist acrylics. Hahnemühle have been making paper since 1584 – it’s beautiful paper and it works really well with the nature printing process I use. If you would like more downloads please let me know and I’ll add some more to the donate and download section.

Autumn process pic

I also make downloadable artworks available to Patreon subscribers – this month’s artwork, Fern, Moss and Corokia, has a restrained indigo and may green palette – see the detail picture below.

Fern, Moss and Corokia cropped

With the deciduous trees giving up their leaves for winter it has been the perfect time to turn my attention to a project involving native New Zealand ferns, mosses and lichens. I’ve been preparing two artworks using these types of plants to enter in art awards later this year.

Mosses are somewhat overlooked in modern gardening and are often poisoned as weeds. However, they are important in controlling soil erosion by soaking up excess water and they help break down leaf matter. They are also surprisingly tolerant of pollution. There are some beautiful moss gardens in various locations worldwide, such as at the Jardin de Berchigranges in France, and the Kōinzan Saihō-ji or Kokedera (Moss Temple) in Kyoto. I’ve been looking at the variety of mosses growing closer to home in my garden and local bush.

Kepa bush tree roots

Pohutukawa and fern detail SML

Pohutukawa and Fern (detail)

I like the idea that the plants are doing the talking in my artworks and that the act of printing directly with the foliage facilitates this. The artwork above was made with a selection of native evergreen New Zealand plants and ferns. A small branch of Pohutukawa leaves found on the ground helped me complete the upper areas of the artwork. I’ve been experimenting with using moss in my latest paintings with mixed results. Sometimes it is too fragile to get a good print from but can be used to add textural effects. In the sketch below I used silver fern, moss and native foliage including Puriri flowers.

Puriri and Fern sketch

Sunsprite Corokia

I’m seeing new growth and blossoms appearing everywhere in my neighbourhood – if plants could talk they would be talking about Spring! I’m looking forward to using some of the blossoms while they last. I’ll finish this month’s blog with a detail of a small mint green painting made recently for a fundraising exhibition at Selwyn College. I used Manuka leaves and flowers, Kowhai, Hebe and an interesting variety of yellow Corokia, all sourced from the school.

Celeste Sterling, August 2018.

Sunsprite Corokia and Hebe detail




June 2018 Winter Herbals and Samoa

Winter Herbal

Herbal Paintings

A series of artworks using herbs have been occupying me over the past couple of months, painted with the theme of healing and winter in mind. Healing can be a slow process and is often not as straightforward as we would like – complications and relapses can occur. These paintings are about the patience, self care and strength of will required to overcome injury and illness. Herbs have had a long association with healing. I used some herbs from my garden for this painting including fennel, sage, rosemary, lavender, parsley and marjoram.

Winter herbal detail

More details about this artwork can be found in the paintings for sale section of this website.


Autumn herbal small

The Autumn Herbal painting (pictured above) is available as a digital download via my Patreon page. Patreon is a subscription service where artists can offer rewards in return for a monthly or per artwork subscription. Subscriptions start from US$1 per month. It was originally launched by a musician looking for a way to earn income from his work. Currently I offer one artwork per month as a digital download for subscribers. For some time I have been investigating ways to make an income from my artwork that will allow it to be accessible to as many people as possible. This, I believe, is one of the strengths of the digital age.

Herb garden

The small herbal garden picture above is also available on this website as a download, payment is by donation of US$1.

White hibiscus flower

Tropical Plants – Samoa

Over the past couple of months I have also been doing a series of works inspired by a trip to Samoa in early May. Whilst in Samoa I visited the Vailima Botanic gardens at the Robert Louis Stevenson Museum in Apia to collect some foliage for paintings. The tropical plant species were absolutely fascinating and I hope to return in the future to Samoa to continue this series.

Garden at Vailima artwork

Garden at Vailima

RLS garden


Vailima artwork detail2

Vailima artwork detail

Samoan leaves

RLS Museum door

Robert Louis Stevenson Museum, Vailima.

RLS Museum wall

In May I visited the Auckland Art Fair and was it was interesting to see the diverse range of artwork displayed. Photographs by Tamara Dean, small artworks by Shelley Norton, Simon Denny’s board games and abstract paintings by Amanda Grunewald all struck a chord with me.

Shelley Norton

Next month I will take a short break during the school holidays and then continue work on two art award entries for later in the year.

I’d like to wish you all the best for Matariki, which is the Māori New Year celebrated in the middle of winter and marked by the rising of the Pleiades or Seven Sisters star cluster.

Tōfā soifua

Celeste Sterling, June 2018




April 2018 Printmaking

Silver birch and sage for blog

Silver birch and Sage was made on a windy March day with plants from my garden. I also used fern, akeake and fennel in this image. I wanted to capture the movement of wind through the leaves which resulted in a looser technique. My latest work has included some softer, pale pieces such as this small painting on paper and some hand painted linocuts. I’ve made Silver Birch and Sage available to Patreon subscribers as this month’s downloadable artwork.

Celeste painting7SML

Celeste painting4SML

Filming and voice recording for my first artist video progressed over summer. Pictured above are a couple video stills. I felt out of my usual comfort zone doing this as I normally paint unobserved. I’m really looking forward to seeing it finished.

Small hand painted linocuts have also been a focus over the past two months as I have been experimenting with printmaking techniques that don’t involve using a printmaking press. I’m hoping to acquire a small press for my studio further down the track to expand my printmaking further.

Small handcoloured linocut

Some beautiful weather in March meant it was the perfect time to explore further afield than my own neighbourhood. Highlights included a visit to Albert Park which has a fantastic collection of trees, a stop at my old favourite the Wintergarden in the Auckland Domain, and a visit to the Gibbs Farm on the Kaipara Harbour.


Coleus in the Wintergarden

Albert Park coleus

Albert Park leaves


Horizons sculpture by Neil Dawson at the Gibbs Farm, Kaipara.

Stormy weather has returned to Auckland and many parts of New Zealand this week. A large number of trees have been toppled or damaged by high winds. Suddenly there is surfeit of leaves in my studio.

Ferns in blue postcard

My Huruwhenua (fern) postcard (pictured above) for the Twitter Art Exhibit is available for purchase online, along with numerous other art postcards from this charity exhibition. All proceeds benefit Pegasus Riding for the Disabled in ACT.

For Corokia Studio I have been making small artworks which are available from Felt. I’ve also added some paintings on paper for sale to the Corokia Studio shop section of this website.

FELT Blue painting1

Next month I will have the opportunity to do some work with some really interesting plants from further afield than New Zealand. I’m looking forward to seeing how a change of scene influences my artwork.

Celeste Sterling, April 2018

Celeste drawing in bush2SML

Easter 2018 artwork